Archive for the ‘VAIN flashback’ Category

And now, a few words from a VAIN legend.

Monday, December 1st, 2008

VAIN turns 12 years old tomorrow (look out: pre-teen years!) and it wouldn’t be a party without a true VAIN original, former VAIN hairstylist and ever-singular tour de force Shaun “Surething” Cottle. Shaun has graciously agreed to share his VAIN history for the occasion, and we couldn’t be happier about it since his unmatched style and creative sensibilities are such an indelible part of ours.

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It’s a Surething: Shaun Cottle at VAIN, 2005.

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As the 12th anniversary of VAIN Beauty World approaches, I was asked to write a little celebratory something or other, in honor of the special day.

So much to say, so little time.

I came to VAIN in search of work on the recommendations of a few friends from the queer/arts community in Seattle. I had just returned from a two year stint in NYC, working at a small West Village salon called Seagull. And what seemed, at the time, a two year stint of stagnation and a rather dark moments in my life. I was looking for something fresh, new and innovative in my work and in my personal advancement…two things that have always been inextricably entwined for me.

Having heard some interesting things (good things) about this Victoria character [VAIN owner + styledriver Victoria Thomas Gentry], who everyone seemed to know, and her being VAIN’s headmaster, I thought I would check it out.

VAIN front 2nd Ave

It was January of 1999. VAIN was not a brand new business at this point, but still a rather small outfit, a small beauty supply store and a three chair salon operating out of what I’m guessing was about 110 square feet. Cool, just my style; small and intimate in a way that could promote cross-talk conversations between stylists and clients. Small and intimate enough that I could impose my larger than life persona/person on everyone who sat down in a styling chair… But there was a hitch. I had to get past this Victoria person, who after three days of personal interviewing and seven hours of hair auditioning, I still had yet to even SEE. On my third and final day of this rigorous process, I was informed that I would be called up to Victoria’s office. Some might find this process daunting and even elitist. I took it as a challenge and thought “Wow. This lady must be really fucking serious about the quality of staff she takes on.” No problem.

When the moment came where, finally, I was ushered up into the offices on the second floor of VAIN’S original Belltown space, I was actually a little nervous. Quite unlike me as far as jobs go. I was seated in Victoria’s office and with her back to me, she gave me a little wave that she would be with me in a moment. She was scheduling appointments and brainstorming with a women’s safety organization I had not yet heard of. I would imagine now that it was Home Alive.

Cara Lynn Kleid VAIN

When she finished up on the phone and turned to greet me I was surprised to to see such a youthful, beautiful face, with a mop of soft pink and fuschia hair. She was punk rock. I had expected someone more stern and hard after all of that cajoling around just to get to see her… This was gonna be a breeze, I thought… And then she spoke. For the next two hours she grilled me about my political sensibilities, cultural positioning and generally who I was in the world. This was no longer an interview, rather it became sharp and fast paced speed dating-like, get to know you situation. I loved it. Never had any potential employer taken such a keen interest in all of these facets of my life. Then came VAIN’s legendary final question: “Do you consider yourself a feminist?” Are you kidding me lady?! I’m a fucking Riot Grrrl! … I believe a gave her the best earful of an answer she had ever received applying feminism to queer rights and gender identification, long before it was the norm to be tossing these questions around. This was a shoe in, she loved me. She said I would be a great fit and that the hair coloring and cutting I had done on my audition was superb… And then, that she was not hiring. And that was that.

Well, needless to say, that was not that and she did, in fact, hire me…. She didn’t need me, VAIN didn’t need me. THEY were all doing fine. I think, in retrospect Victoria realized that I needed VAIN. She was taking a chance on a somewhat unstable kid with a past mired down in addiction and compulsive behavior. Smart; sure. Cool; Absolutely. Dependable; Maybe not so much.

But I decided to show up for this one. Somehow I felt it was big; bigger than me and bigger than VAIN as it was then. Over the next couple of years the larger picture started to unfold. I worked closely with Victoria as she organized events for women’s shelters, the rock camp for girls, and other nonprofit organizations in the Seattle Area.

VAIN exterior 2005

Ultimately VAIN outgrew its four small walls and we moved from a three chair, hole in the wall salon, to a full-fledged beauty hot-spot on First Ave. with independently designed clothing, jewelry and other accessories in a boutique at the front, an art gallery where outsider artists’ could show their work and two floors of artist studios. Not to mention a sleek, practically-designed 15 chair salon space.

Shortly after grand opening for the new VAIN the tech bubble burst. What were we gonna do with this new 10,000 foot space with money falling away like leaves? Perseverance was the answer. We trudged through the dot-com burst, flourishing even then as the city-wide economy collapsed. Victoria encouraged me to take part in the World Trade Organization protests and I happily obliged. Artists of all persuasions moved in, working in the studios upstairs. We hosted parties and community organization meetings. I met Gloria Steinem!

After three or so years in this new space, VAIN had become a cultural hub of the Seattle and inarguably the most innovative larger salon in the city and (in my opinion) the entire country.

VAIN_salon_night

In my time working with Victoria, I came to understand what a “Salon” was in the truest sense of the word; A large room. A large room for visual arts, beauty and social gatherings. VAIN has a lot of room; a lot of space for all happenings to come together, ideas exchanged, lessons learned and un-learned… communities built.

ShaunSurething3

That is was a salon should be, and what VAIN is today.

From my seven years with Victoria and VAIN, I was able to work alongside of some of the best artists I’ve known. I learned through VAIN’S pitfalls and triumphs how a successful business is founded, then, maintained; With integrity, focus and dedication to one’s craft, an eye kept on the larger issues surrounding all of us, and filtering them into our salons’ environment. Being accountable for our actions in this world and our own personal communities.

I was able to parlay this experience, provided in part by Victoria, VAIN, and myself into a career as the owner of my own little salon in the West Village of NYC called Seagull, the same one I had worked at years ago.

In short, VAIN helped me understand my short-comings and provided a space where I was able to express my true self and overcome them. Ultimately linking up my past feelings of failure and low self-esteem to my future success and strong sense of self worth in a world where, I had once felt, held no place for me.

And for that I thank VAIN and the time I spent in that large room.

ShaunSurething2

xo.
Shaun Surething.

Shaun Surething’s salon Seagull is located at 240 W 10th Street (between Bleeker and Hudson) in New York City. Check it out online at www.seagullhair.com.

To all the hair products I’ve loved before

Friday, May 30th, 2008

VAIN hair products
The VAIN downtown hair product wall: so embarrassing when you run into your exes.

I’ve made no secret of the fact that I’m currently in a deep, committed relationship with the Kevin Murphy line of natural hair products, but the truth is that there have been others… many others. Some of my favorite formers, in no particular order:

Tigi Bed Head After-Party
The name says it all: if you’re walking home in last night’s shoes, at least your hair can look good. The hot pink After-Party container/pump looks like a mic and the product itself smoothes flyaways and tames hair-of-shame like a champ. By far the best-smelling hair product I’ve ever used.

Pureology Hydrate Shampoo
Great for color treated hair. This is the one in the light purple bottle and my hair always drinks it up. It just feels luxurious to use Pureology products in general, and VAIN has just about all of them.

Redken Outshine
This anti-frizz polishing milk doesn’t have the scent or pizzazz packaging of Bed Head After-Party (yep, I said pizzazz!), but it’s a light n’ lovely product for soothing your hair. Truly one of my favorites. Use After-Party casually; take Outshine home to your parents.

Murray’s Pomade
What can I say? I like a nice tin.

VAIN’s Dirty Boy, Dirty Girl
I told myself I wouldn’t cry! Like listening to PJ Harvey (a LOT) and making completely avoidable life choices, this amazing, magical purple goo was an essential part of the dawn of my 20s. I don’t even know what it did, exactly, but my hair always looked better and smelled really good when I used it. AND THERE WAS A TEENY PLASTIC PIG AT THE BOTTOM OF EACH CONTAINER. So random, so great.

So there you have it. As Kevin Murphy and I explore new ground in our relationship together (I just met his Fresh.Hair dry shampoo and Body.Guard smoother and I think they liked me!!), I can’t help but take an occasional visit down hair product memory lane. Your firsts and favorites are always the hardest to forget, I guess.

-Rebecca P.

VAIN Dahlia Hair

Tuesday, April 29th, 2008

dahlia.jpg
Victoria Thomas Gentry’s dahlia hair, 1999: “It was a color obsession that built up.”

Last month we challenged VAIN Blog readers to consider going cherry tree pink for Spring, and mentioned VAIN owner + styledriver Victoria Thomas Gentry’s onetime dahlia-inspired hair color. After locating a photo in the VAIN archives (they are so vast!), we asked VTG herself to share the dahlia hair story:

I had the inspiration when one of my favorite clients brought me a dahlia from her garden. You don’t see a lot of dahlias on the east coast where I’m from and I had no idea there were such big varieties.”

“I loved how the intense colors had such subtle combinations and variety of tones. It seemed interesting to try to reflect that with hair color that was orientated around a single point and fanned out from there. I also wanted to blow the roof off of how we “as stylists” thought about how intensly saturated color could be used.”

“We started with an all-over pale pink and then foiled my hair with yellow, gold, orange-pink and red, concentrating some colors more near the root and some more at the ends. Our goal was to get that elusive sunburst effect that you see when you look into the center of a flower. I know Shaun (Surething) did at least one round of foils and I think Jenny Slay did one. I believe we foiled it three times to get all the colors in there. It was as much an experiment and a chance to play with a concept as it was a quest for a specific look. It was all about the process.”

“The biggest question I got was “so what do you call that color?” Pink just didn’t cut it as a description. Depending on the light and what I was wearing it could be cherry or coral or blush pink. I loved it!”

Grab your favorite flower and call VAIN for a free consultation with one of our hair color experts: 206.441.3441 (downtown) or 206.706.2707 (Ballard).

Crocodile Hair

Sunday, December 30th, 2007

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Raise your hand if you get your hair done at VAIN:
at The Crocodile, 1999.

The recent closing of Seattle music landmark The Crocodile got me thinking about my time there (I worked at the club in 1999 and for a second in 2000) and how it coincided with my first visit to VAIN. Posies frontman Ken Stringfellow was sporting hair in ocean tones as colored by VAIN owner Victoria Thomas Gentry at the time, and he suggested I go see her if I ever wanted a new look. The possibility immediately impressed me as I was a drugstore DIY colorist stuck in a hairstyle rut. I wanted some VAIN cool, too.

I remember walking down the street from The Crocodile to my first appointment at VAIN a few weeks later feeling hopeful and a little intimidated. Would they laugh at my ponytail and obvious home dye-job? Was there a tattoo quota to get in? Would I come out looking like Ken? The answers were no, thankfully, and so started my now nine-year relationship with VAIN from client to employee and client still.

Since that first appointment in 1999 VAIN has seen me through a lot of looks: big blonde panels over dark hair (inspired by a cover of Elle and executed perfectly by Victoria), pixie short, a 9-to-5 bob, a 9-to-5 bob with a little after-hours layering kicked in for good measure, a modern Marie Antoinette white wig for a live art installation, my 4 year neurotic quest for the perfect burnt-espresso-brown-but-not-black! color, a memorable galactic geisha updo for Bumbershoot 2005 courtesy of Shaun Surething, and this year’s “back to my roots” corrective color adventure, a group effort by Carinn, Alexis, and a one-night out-of-retirement stand by Victoria that took me from that near-black to my current blonde-ish shade.

During all this change VAIN has seen even more- it moved from 2nd Ave to 1st, tripled in size, opened a gallery space downtown and a second location in Ballard, got a whole new visual identity (hello, vain.com!), has seen staff and clients come and go, and in many cases come back again. The Crocodile, meanwhile, seemed to pretty much stay the same, at least in looks- postered walls and windows, those hanging dusty bee hives, the red of the back bar, the sight of slow Tuesday nights and all the busier weekend ones, and the light in the place that never seemed to change. Am I the only one who, condo cynicism aside, thought it would probably always be that way? It just had a constant quality about it.

I don’t want to wax too nostalgic; change happens, whether it’s on your head or in your city’s music scene. The shows will go on someplace else and I think Chop Suey has stuff hanging from the ceilings, too. That said, let’s keep the changes coming to our hairstyles and life strides in 2008, and enjoy those good constants while they’re still around.

-Rebecca P.